Sunday, 30 May 2010

profitable insomia

Came across this fascinating link when thinking about musical opportunities in years ahead...

http://www.calvin.edu/worship/stories/ethnodoxology.php

I particularly enjoyed what various peoples had to say about the Hallelujah Chorus from Handel's Messiah: like a jet engine, "crying music" or “not steady.” This last group "wondered how a song with so many high and low pitches and loud and soft volumes could be considered fine art". Ouch.

Also managed to rip 18 more albums to the back-up drive. Don't want to take all 600 CDs to the othe side of the world when they can sit in the attic and something the size of a large filofax can do the business.

Which is not to say that doing without most of my sleep tonight will be pain free in the hours to come. Perhaps the possible collapse of the old laptop has been preying on my mind rather too much. There are a LOT of files on there (not backed up since about Christmas, alas) I would be very sad to lose! And almost all of our projects for the next 6 weeks will be up the creek... Back to praying not preying.

Saturday, 29 May 2010

vignettes from the great clear out (2)

Old music is getting the once-over at the moment. A few sad volumes have decayed so much (or are missing the solo parts) and have had to be junked, which feels very wrong. One simply shouldn't throw books away, especially not sheet music!

Came across some compositions by me. A work claiming to be the solo piano arrangement of the finale of a concerto in A major (entered into a "perform your own composition" class at the Mid-Somerset Festival in 1996?), which never actually existed in any other form except for several drafts of the first 20 bars of so full score. There are a great many drafts of the most recent classical piece I tried to compose - sometimes for clarinet, sometimes viola, sometimes euphonium, and with various attempts at writing out the piano part. A sad end to what could have become quite a nice pastiche work if on;y I'd had the time!

Also came across equivalent material from the 60s in the form of Gordon F's sketchbooks. More completed compositions than I managed - lots of short works for intermediate piano, and the drafts for his excellent Prelude & Fugue, which I've performed a few times.

Plus the copies of pieces I was asked to record for my sister to sing a few years back when she was well enough to be going to the Welsh College of Music and Drama for woodwind and voice on Saturdays. And a lovely handwritten note (her writing is a perfect feminine version of Ad's!)

...
If I didn't have man flu and thus no strength to spare I'd be bawling me eyes out at all these dusty home-made pieces of culture and history.

vignettes from the great clear-out (1)

Some old sheets of glossy local authority propaganda, on that back of which Nick had written out the chords for some jazz standards so that I could provide the lower part of some 4-hands jazz a few years ago when he visited us in TG. He does have a wonderfully florid hand!

Nostalgia at every turn, as our house has spilled its guts all over the floors.

Sunday, 16 May 2010