Yes folks, a unique experience is offered to you this morning: nowhere else in the blogosphere are these two cultural artifacts linked.
The Shack – wordy and slightly hammy from the literary perspective, risky in terms of its theological presentations, but compelling so far (I’m up to page 89).
The Boosh – wordy and hammy, though not, perhaps, by sitcom standards; alas very hit and miss in terms of quality (‘when she was good she was…’)
The link: funk, of course. God the Father listens to funk in the log cabin while cooking, and Julian Barratt's character, Howard Moon, waxes lyrical about the genre and its relationship to jazz in the two best episodes of the series, 'Electro' and 'Hitcher'. Laugh-out-loud best, playing (ho ho) on everyman’s hesitations about jazz and its afficionados (which I share, despite wanting to get into “the most significant art form of the twentieth century” [Howard Moon]).